Scammed by the Bell

By Sandra Vo, Staff Writer

Year after year, the American Revolution dazzles young elementary schoolers with stories of heroic battles and paintings of the Founding Fathers’ voluptuous wigs. However, no unit is complete without a segment about the famed Liberty Bell, the symbol of resounding freedom and everlasting justice.

Except…it’s not. 

What the Liberty Bell really represents is an agglomeration of poor engineering, shoddy attempts at repairs, and a hardworking public relations team that has manipulated the narrative for over two hundred years. 

Its functional failures started at the beginning of its inception in 1751. The Pennsylvania Assembly commissioned a bell for the Pennsylvania State House, but the bell cracked upon its first test ring, causing it to be melted down and reformed into a new one. While theoretically more functional than its predecessor, the overwhelming criticism surrounding the sound of the new bell forced it to be recast again. 

With the sound fixed, the new leaders of the Liberty Bell Public Relations Team (unknowingly or not), gathered a multitude of fictionalized stories about the important role the Liberty Bell played during the American Revolution. The most famous story is that the bell rang to signal the adoption of the Declaration of Independence, although this was a fictionalized tale written by George Lippard. In 1846, the bell attempted to leave another mark on history by ringing on George Washington’s birthday, only to promptly crack irreparably forever. An attempt to repair the bill using a technique called “stop drilling” ended up creating a new, larger crack that further marred an already damaged surface. 

Yet even so, the bell served as a symbol for both the Abolitionists and Women’s Suffrage movement. What better way to imprint something into the American consciousness than making it a mascot? For the Liberty Bell enthusiasts, this was certainly a win. Their poorly-engineered, faulty, non-functional shoddy excuse of a bell had ingrained itself into American history textbooks everywhere. 

Now, the bell resides in the National Historical Park of Pennsylvania, smugly basking in the attention it receives from gullible tourists and visitors, who fail to realize what it truly is: a hunk of scrap metal. 

Midnights: The Taylor Swift Album to Rule them All

By Sandra Vo, Staff Writer

At midnight on October 21, Taylor Swift released her tenth studio album “Midnights”, to a world who had long been awaiting her return. Under the power of a dedicated fanbase, “Midnights” crashed Spotify upon its release and sold over a million copies in just one week. For Swifties everywhere, “Midnights” was the culmination of everything that Swift represented: love, heartbreak, self-realization, and raw, personal emotion. 

But what exactly makes “Midnights” a distinctly Taylor Swift album? For one, the usage of musical elements from Swift’s previous music breathes both new life and nostalgia into her latest tracks, reviving the pieces of Swift eras long gone. 

In “Anti-Hero”, Swift embraces the gated reverb, a muted electronically modified drum sound that originated from the 1980s. As a result, the song becomes reminiscent of her 1989 album, her previous ode to the funky pop of the 80s. She juxtaposes the upbeat pop melody with lyrics about how her own self-confidence wavers in her day-to-day life. Her music video portrays two versions of herself that interact with each other in a mentor-mentee relationship, where one Swift teaches the other about the cynicism and the fact that she, herself, is the problem in all of her relationships. At the end, three Swifts convene on a rooftop to share a drink, resolving her struggles with self-esteem with a simple toast.  

This interaction between multiple versions of herself isn’t contained to just “Anti-Hero” however. Swift also addresses herself again in “You’re On Your Own, Kid” which initially appears to be about her naivete as a young woman and the bitterness that she has developed in her later years. However, later in the song, Swift subverts her original narrative by saying that her independence is actually a strength that’ll allow her to move past any moment by herself as she sings, “You’re on your own, kid. Yeah, you can face this. You’re on your own kid. You always have been.” Swift fans who can recall the song “Fifteen” from her namesake album will immediately spot the similarities to the ending of “Fifteen” where she tells her former 15-year-old self to “Take a deep breath girl. Take a deep breath as you walk through the doors.” The theme of her future self reassuring her former self of their resilience pervades throughout her experiences and journey as a musician. 

In “Snow On The Beach” (ft. Lana Del Rey), Swift and Rey sing about dreamlike romances and surreal moments during love. Both of them have a light, airy melody line that aligns with the theme about being in the hypnotic clutches of love. Combined with the soft, lower-pitched instrumentals that accompany their voices, this song sounds a little bit like it belongs in her “Evermore” and “Folklore” albums. She utilizes the same gentle rhythms and tender percussion to give “Snow On The Beach” a comforting, warmer feeling. 

And perhaps the most obvious nod to her former music is the song “Vigilante Sh–” The spoken, monotone words followed by a bass drop is definitely an element that she explored in her “Reputation” album. Knowing that “Reputation” embodied the idea of being a “bad b—-,” it’s no surprise that the message of “Vigilante Sh–” is all about revenge and independence. 

But even despite the wide range of musical elements and themes, Swift wraps her Midnights album nicely with one overarching theme: the simultaneous ending and beginning of her journey. She reflects on her previous experiences (“Midnight Rain” and “Question..?”) but also notes the direction that she wants to move forward (“Labyrinth” and “Lavender Haze”). And perhaps there has never been anything more “Taylor Swift” than to know that reflection does not trap a person in the past, but instead, gives them an avenue to move forward. 

The Middle Class’s Enigma: RTD Denver

By: Sandra Vo, Staff Writer

A moth flutters violently against the glass of the lamppost up above, casting its shadow on the sidewalk in front of my feet. Although the time on my phone flashes just shy of 6 o’clock, the sun has long since sent its last farewell rays against the horizon. Snow is normally a gentle feeling, a delicate caress of snowflakes against my cheeks, but tonight, each flake stings my bare hands and burns the tips of my fingers, searing them a bright red.

Even with the daylight becoming a faraway memory with each passing minute, the city remains bustling and lively. Cars sweep past me in throngs, timed succinctly by the stoplight just a few steps down the street. Their headlights illuminate the streets for a couple seconds at a time, like a wildly mismanaged spotlight. In the distance, I can hear threads of Bon Jovi leaking out of the cafe behind me every time the cafe doors fling open. 

I’m not alone in my spot outside however. Around me, a handful of people shuffle around in their spots, trying desperately to fend off the Colorado winter with their respective coats and scarves. One person dons a pair of leather gloves, and I steal an envious glance at them as I warm my hands with the heat of my breath. 

The people here vary in age, gender, and clothing, but we share one thing in common; we are all anchored by the single sign stuck into the grass median that barricades the sidewalk from the street. This bright red sign, covered in various stickers and explicit graffiti, is the only indication that the city of Denver has designated this area as one of the RTD (Regional Transportation District) bus stops.

I check my phone. It’s now 6:05, and if Google Maps has predicted correctly, my bus will arrive in approximately ten minutes. In ten minutes, I could have made the journey back from here to my bedroom by car, but I shove the thought away, knowing that this will only make the wait in the cold worse. 

A cold gust of wind brushes by, and I flinch at how mercilessly it bites at my skin. This is one of the many bus stops scattered throughout Denver without a bus shelter, and while the city designer has tolerated the addition of a bench here, it does nothing to protect us from the frosty Colorado air. The rush of cars on the street feels a little more mocking when I picture how nice it would be to be in a space with an operating heater.

Denver is a city of commuters, and this statement is a cold, daunting reality to the Denver residents without the means of independent transportation. 

But how do you fix this? There is no simple solution to this, especially when it involves both infrastructural and cultural change. To create better public transportation, you need better infrastructure that facilitates the usage of buses and light rails, but for better infrastructure, you need money. And when a city needs to obtain money, they need to reallocate their budget and divert tax dollars away from another project. Colorado’s biggest taxpayers? The middle class.

Now this becomes the issue: few people find pleasure in knowing that they’re paying for a program that doesn’t benefit them. This raises yet another question. If the RTD is public transportation, then why isn’t it being utilized by the general public?

This question has a fairly simple answer. RTD Denver has a rather unfortunate image of being late, slow, dirty, confusing, and unsafe. Worse still, some of these adjectives are true. The shortage of bus drivers means that some routes remain poorly staffed, and bus wait times are long and far between. This results in people being willing to pay the increasingly absurd parking rates in Denver or take an Uber/similar rideshare, despite the prices of Ubers having increased by 92% between 2018 and 2021 according to Rakuten. 

However, it’s worth noting that Denver has been trying to improve the RTD experience. In August of 2022, Denver implemented the “Free Fare Month,” in which everybody could board and ride the RTD free of charge, in hopes of facilitating more rider usage. The RTD completed its 15L Improvement Project in October of 2021, which added bus shelters, security cameras, lighting, and benches to the stops along East Colfax Avenue. Right now, the RTD is working on adding another fleet of electric buses to its arsenal in 2023 after the Federal Transit Administration and the VW Settlement Program awarded the RTD $2.6 million and $8.5 million respectively. More information on these projects and other upcoming improvement projects can be found on the RTD website (rtd-denver.com). 

Most importantly though, the funding for these kinds of projects rides on the shoulders of the people. The more that the residents of Colorado demonstrate their support for public transportation, the more willing the government will be to allocate money for a better public transit experience. This simple act of demonstrating the willingness to ride the Denver RTD by everyday commuters could transform the experience of people who already need the RTD to survive. 

The longer that RTD Denver remains the middle class’s enigma, the longer that this city will fail its residents that rely on public transportation to go about their everyday lives.

Mean Things Come in Threes

By Sandra Vo, Staff Writer

Picture this. You’re a clumsy girl who’s never quite fit in, and you’ve just transferred high schools (again) and now you find yourself trying to navigate this unfamiliar environment with all of your textbooks held tightly against your chest. Due to an unfortunate accident just before your first day of school, your thick glasses have been cracked and taped back together with masking tape you pulled from your father’s toolbox. You feel alone in the swarm of people, the misfit of them all.

Then you fall. For seemingly no reason at all, you trip dramatically in the middle of the hallway during passing period, and your books and papers tumble out of your hands and onto the floor. Heat floods your cheeks. Embarrassment can’t even come close to describing the pure humiliation and shame you feel. As expected in a typical high school, there are plenty of snickers and a complete lack of helping hands. Just as you reach for your chemistry textbook, a hot pink Louboutin heel steps right on top of it. You look up, your lips parting in horror.

Here she is. The head honcho of the high school hallway, the princess of the pubescent people, the tyrant of the teenage throng. “Oh ew, I just stepped in nerd,” she sneers, triggering giggles from all around you. It’s the popular mean girl and her two lackeys.

And she’s just marked you as her target.

When people talk about mean girls, the movie Mean Girls rightfully comes to mind. It’s the prime example of a popular girl with skewed morals who seeks to dominate the high school social scene through terrible misguided actions. As always, her two followers echo every word she speaks as if it’s gospel, but why do we see this trope across so many different films and television series? What could possibly be the appeal of an evil version of the Three Musketeers?

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